Katydid in Oz

Showing posts tagged historical romance

List of books I need to talk about…

I moved interstate. It played havoc on my blogging.Buthere are the books I’ve read that I need to talk about, and will be blogging about soon!

  • Joan Kilby,Gentlemen Prefer Nerds
  • Nicola Marsh,Busted in Bollywood
  • Rachel Bailey,What Happens in Charleston
  • MJ Scott,Blood Kin
  • ylie Griffin,Vengeance Born
  • Kristin Higgans, Somebody to Love
  • Julia Quinn,About Last Night
  • Karina Cooper,Tarnished
  • Sarah Mayberry, Her Best Worst Mistake
  • Sylvia Day,Bared to You
  • Rachael Johns,Jilted
  • Shannon Curtis, Guarding Jess
  • Fiona Palmer,The Road Home

Some books I read, but don’t really feel the need to elaborate on:

  • Charlaine Harris,Deadlocked
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Favourite authors - not always technically the *best* authors

So, in his amazing interview with Stephen King (which everyone should go read right now), the equally amazing Neil Gaiman says, ‘After that I bought everything King wrote as it came out. Some books were great, and some weren’t. It was okay. I trusted him.’

And I tumbled even more into love with Neil Gaiman right there because he absolutelynailedthe way I feel about some of my favourite authors. Sometimes their books don’t quite hit those lofty heights. But it’s okay. I trust them.

Like Julia Quinn. I just finished her upcoming release, A Night Like This which comes out the end of this month. It’s continuing her Smith-Smythe quartet about a family in the upper echelons of regency society that produce a staggering number of musically disinclined daughters. In this book, we meet Daniel, the Smith-Smythe heir, who gets himself into a spot of bother, and has to flee the country for three years. The novel proper starts on his return to London, as he tries to step back into his family and his life, and adjust to all the changes. Including the procurement of a new governess that he can’t seem to get out of his mind.

The governess (Anne) has quite the past of her own, however, and is unlikely to risk everything she has built for herself on a fling with the family’s son. That is a first-class ticket to the work house. Even if he is so very tempting.

This novel starts out darker than any of Quinn’s others since When He Was Wicked,one of the Bridgerton novels. But it falls quickly into Quinn’s trademark light-hearted charm, with lots of banter and the ridiculous that comes with close families.

But it never really sparkles. And, more damaging, the characters never really become real - like they do in other Quinn novels. There’s a lot of inconsistencies (Daniel is supposed to be a good guy, but he continues to pursue Anne even though all the danger is on her side). There’s one big problem that’s just brushed aside (an Earl, marrying a governess? To quote 90s slang: as if!). There’s a obvious set-up for hero #3. But there’s no spark, no flame, no belief that these two characters are willing to risk it all.

In short, it’s not one of JQs best. But it’s okay.

I trust her.

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Titles talked about in the Historical vodcast

Here’s a book list of the books Kat from Bookthingo and I talk about in our historical vodcast for Aussie Author Month.

Anna Campbell

Anne Gracie

Christina Brooke/Christine Wells

Sara Bennett

Sophia James

Stephanie Laurens

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Continuing with the Aussie Author Month vodcasts: Kat Maya from Bookthingo and I discuss historical romances from Aussie authors and offer recs of our favourites.

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#aww2012 #ausbooks Christina Brooke - Mad About The Earl

So I’ve been thinking about this blog post for about a month, because it kind of threw some of my past actions into sharp relief - and not in a way that I was proud of.

You see, this is a fantastic romance novel. It’s emotional, it’s nuanced, it’s rich and textured, it’s lush, it’s happy…

…it’s familiar. In many ways, it’s even stereotypical. There’s a lot here that readers will recognise, and a lot of traditions that have been built upon. The heroine is gorgeous - inside and out. She’s also feisty. The hero is big, burly, and scarred - inside and out. He’s also gruff. The heroine has another suitor; the hero is jealous and suspicious. There’s a big misunderstanding. And eventually the healing power of love means a  happy-ever-after ending.

I loved it. Every minute of it. It’s the kind of novel that reminds me why I cut my teeth on historical romance, and why it’s the subgenre I return to most often, and love most ardently.

But interestingly, I didn’t know how to write a good review of it. Because - and here’s the part where I kind of got a bit of a harsh home truth about myself - I realised that the books I really rave about are those that go beyond the traditions. The innovative books that go somewhere new and different. The ones that can, to use that horrible snobbish language that I tend to rail about,transcend their genre.Those are the books I thrust on other people; they make up most of my conversion pack.

But they aren’t the books that fill my stomach. They’re the delicate treats that you always remember, but not the bread that nourishes my day-to-day life.

And thus, was I outed as a snob. Within my own genre. And lo, I am ashamed.

So take this as step one of my penance. Mad About The Earl, by Christina Brooke is exactly the kind of romance novel I adore. It has everything I wanted - the things I didn’t recognise Ineeded - with a growing secondary romance to boot.

Mad About the Earl is a solid romance that stands on the shoulders of giants while reminding us where we came from. It celebrates the traditions, but is not way stale. The characters are familiar, but in that exciting way that you know you’re going to be friends with someone from the first time you meet - a recognition of a kindred spirit. But mostly, it’s that mix of refreshing and comfortable that is a hallmark of the romance genre, and the reason readers keep coming back.

And it was the kick in the pants I needed to start celebrating all the things about romance - not just the stuff I felt I could ‘sell’.

Christina Brooke was the first author in the southern hemisphere to win the coveted Romance Writers of America Golden Heart Award, writing as Christine Wells. She has released novels under both Christine Wells and Christina Brooke. Her website is here: http://www.christina-brooke.com/ and you can buy Mad About The Earl here.

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#aww2012 book 2: Bride by Mistake, Anne Gracie

Caveat: Technically I read this in 2011, but it’s not published until 2012, and I didn’t blog about it in 2012, so I’m taking it as 2012.

General Plot Summary: Luke is all damaged by his time in the war in Spain, and there are a lot of things he will never be able to move past. This includes the wife he left there in a convent for nearly a decade. Turns out he can’t get rid of her, so he’s off to collect her, revisit the many scenes of horror, and generally  just be down about life.

It’s not like Isabella has had it easy either: convent life isn’t really made for a vibrant, energetic young woman. Worse, she’s unable to do anything about it, because she’s stuck waiting for her husband to come and get her. But things get even worse when he does arrive, and he’s hardly the hero she remembers from the day they met.

Characters: Isabella is fantastic, and, I’ll be honest, it took most of the book for me to believe that Luke is really worthy of her. I know he’s all post-traumatic stress in a time when mental illness was not treated with patience, but still. It’s not an easy thing to read about, especially when he gets high-handed, grumpy, withdrawn, and generally all-the-way-around unpleasant. However this is Anne Gracie, and no one can pull together discordant threads and make them sing like she can. So by the end, Luke’s mom and I are all ‘Oh yay!’ and clasping hands and sighing together.

Best part: Definitely Isabella and the scenes at the convent. Very amusing, very warm, and a great insight into a place and time I’ve never seen in a romance novel before.

Quibbles: Like I said, Luke took a while to win me over. I also would have liked to have more history about the war in Spain, as well as the geography - a more complete use of setting.

Insider quibble: Normally in a Gracie novel there’s a scene where the hero warms the heroine by allowing her to put her cold body parts (generally her feet) on his warm ones. It’s such a small thing, but so indicative of growing affection. No such scene in this novel!

Bottom Line: Guys, this is an Anne Gracie novel. Like there’s ever any reason not to pick it up. Even on her worst days, she’s still sitting pretty above the fray, and this is definitely not one of her worst days. But it is the fourth novel in a four-book linked series, so if you’re anal-retentive like that, you should probably go back and start at the beginning.

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Quickies - Holiday Reads that aren’t Year of Living Contemporary appropriate

  • The School for Brides - Cheryl Ann Smith. Loved the premise, and all the stuff with the ex-courtesans. The main romance was a bit generic.
  • Dragon Bound - Thea Harrison. First 1/4: what the heck is everyone going on about. Last 3/4: OH MY GOD THIS BOOK IS AWESOME!!! The End: Thank God the sequel is out already!!
  • Shadow Kin - MJ Scott. It’s always tricky when you know the author in real life, and think she’s pretty groovy, and then you have to read her book and you’re all ‘what if I hate it?’ but pretty much this is the absolute opposite, and I’m all, ‘I have to tone down my love because otherwise she’ll think I’m blowing smoke up her ass’ because it’s that awesome. 
  • Heartless - Gail Carriger. Don’t read this one without reading the other three. First, because they’re awesome, and you’d be missing out. Second, because you’ll miss all the awesome nuances. But mostly because this one sort of goes back to everything you loved about the first one, and you won’t get that wonderful sigh of contentment as you settle in to read.

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The Duke of Shadows by Meredith Duran was so good, I actually feel pre-emptively sorry for whatever book I read next.
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The more I re-read and re-think Courtney Milan’s Unveiled, the more I realise just how flawless it really is.

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